The longest-reigning Queen of Philippine Cinema,
also widely known as the Star for All Seasons and the QueenStar, Vilma Santos
celebrates her golden anniversary in showbiz. She has starred in more than 200
films and has given the public some of the most memorable performances in
Philippine motion picture history. An icon of film and popular culture, her
magnetic screen presence has captured the hearts and minds of generations of
Filipinos. Her enduring charisma and popularity have made her filmdom’s most
durable female superstar.
Brilliant
Performances
Vilma is the only Filipino actress who boasts an
impressive body of work that is eclectic and an acting style that is versatile.
Her best portrayals are an embodiment of the varied and changing roles
of the Filipino woman and her ongoing fight for empowerment, and her movies
represent realities of Philippine society and the nation's aspirations and
struggle for change.
She is
the ultimate Pinoy wonderman, Darna, the defender of the helpless and
the aggrieved; a politicized nun in Sister
Stella L.; a
wife and mother during the turbulent Martial Law era who undergoes
enlightenment in Dekada
'70; a
liberated mother who defies social conventions in Bata, Bata, Paano Ka Ginawa?; a
sympathetic mistress in Relasyon; a career
woman battling marital problems in Broken
Marriage; a dying
cancer patient who consummates life during her final days in Pahiram Ng Isang Umaga; a
homicidal, psychologically disturbed nymphomaniac in Tagos Ng Dugo; a
prostitute-turned-convict fighting for love and changes within the penitentiary
system in Alyas
Baby Tsina; an OFW
who addresses family conflicts in Anak; an AIDS-stricken protagonist who struggles for sympathy and
understanding in Dahil
Mahal Kita (The Dolzura Cortez Story); a stubborn and old-fashioned
mother who has to come to terms with her son's homosexuality and has to deal
with life, in her middle age, alone after her son's eventual demise in In My
Life; and a rape victim crying for justice in Rubia Servios. These
and her other unforgettable roles demonstrate her versatility and wide range as
an actress.
Ultimate Fantasy Film Heroine
Vilma started as a precocious child actress in the
'60s, then became a
teen idol in the early '70s. Her box-office appeal was
cemented in 1973 by the mega blockbuster Lipad,
Darna, Lipad, the most successful Darna movie ever which
broke existing box-office records at that time. She holds the record for having
played the iconic superhero four times. Her Darna iterations, her Dyesebel at ang Mahiwagang Kabibe, and
her slew of fantasy films (Kampanerang
Kuba; Wonder Vi; Phantom Lady; Vilma and the Beep, Beep, Minica) showcased Vilma as movie heroine
and the masa’s champ, champ at the
box-office and in the hearts of the movie-going public. For the record, she is
the only Filipino actress who has played both Darna and Dyesebel,
two of the most loved fantasy characters in Pinoy popular culture, on film. Her
successful portrayals of these iconic roles, plus the other fantasy characters
she played, make her the ultimate Pinay fantasy film heroine.
Box-Office Champ
Vilma
enjoyed continued box-office successes for her drama outings in succeeding
years and was crowned Box-Office Queen many times by different organizations.
To this day her movies continue to attract audiences. In 2001, the
Guillermo Mendoza Memorial Scholarship Foundation, which years prior had elevated
her as a Hall-of-Famer for having been a box-office winner for many years,
decided to again crown her, already in her late '40s, the Box-Office Queen for
the record-breaking box-office success of her movie Anak (2000), thus
making her reign as a female box-office superstar the longest. Anak
holds the
distinction of being the Pinoy film that sold the most number of tickets at the
box-office .
In My
Life, which
co-starred her with John Lloyd Cruz and son Luis Manzano, despite its sensitive
gay theme and being shown in the midst of a tropical storm, emerged as 2009's
second highest-grossing movie. Her recent project, Star Cinema’s The Healing, was a monster hit which
grossed more than 100 million and is included in the Top 10 top-grossing movies
for 2012.
Best
Actress
Her first film at age 9, Trudis Liit (1963),
which earned for her a FAMAS Best Child Actress tropy, and her follow-up solo
starrer Ging (1964), where she plays a child performer exploited by her
discovers/managers, were early proof of Vilma's talent. Her acting prowess as
an adult, though, first got serious notice in 1977 with her landmark
performance as the doomed striptease dancer in Burlesk Queen. And
the rest, as they say, is history. From then on, there's no stopping her from
reaping all the important awards from different award-giving bodies. After
winning 5 times as best actress at the FAMAS, the country's oldest awarding
organization, she was elevated to the Hall of Fame in 1989 and was bestowed the
Circle of Excellence award in 1992 and 1993. The Manunuri Ng Pelikulang
Pilipino, the most credible critic group that presents the yearly URIAN Awards,
has given Vilma 8 citations, the most number of wins ever for an actor,
and voted her Actress of the Decade twice, for the 1980s and the 1990s. The
PMPC Star Awards has voted her Best Actress 7 times and honored her with the
Dekada Award in Acting in 2004, while the Film Academy of the Philippines has
given her 4 Best Actress trophies. Vilma also received awards from the CMMA,
Young Critics Circle, the Metro Manila Film Festival and other award-giving
bodies (Click here to see list of awards).
Overall, Vilma is the most awarded Filipino actress
and has the most number of grand-slam wins as best actress, four times, for Relasyon in 1982, Dahil
Mahal Kita (The Dolzura Cortez Story) in 1993, Bata,
Bata, Paano Ka Ginawa? in 1998, and Dekada
'70 in 2002.
Topping her achievements in acting are her two international
Best Actress awards, one for Bata, Bata Paano Ka Ginawa? from the
Brussels International Film Festival and another for Dekada '70 from
CineManila International Film Festival.
Critical
Acclaim and Commercial Success
Vilma is
the only superstar who has managed to enjoy both critical acclaim and
commercial success, and at a time and age when superstars have already seen
better days and should have already retired. A recent example is her commercial
feature In My Life. It is a veritable
box-office hit and it gave Vilma some more awards to add to her already
impressive resume.
Lifetime
Achievement Awards
For her immense contribution to the movie industry,
Vilma has received dozens of Lifetime Achievement awards from various
organizations. In 2003, she was likewise conferred a Lifetime Achievement award
by the CineManila International Film Festival. Two years later, in 2005, she was
given the Outstanding Achievement in Film Acting award by the Feminist
Centennial Film Festival.
The academic community has also recognized Vilma’s
achievements as a film icon. In 2005 the University of the Philippines honored
Vilma with the Gawad Plaridel for being a media practitioner who has “excelled
and performed with the highest professional integrity and in the interest of
public service,” the first and only film artist who has been accorded this
distinction thus far. In 2006, she was one of the four artists feted with a
lifetime achievement award at the University of the Philippines’ First Diwata
Awards, the only actor among the honorees (Click here to see list of
Lifetime Achievement Awards).
Foray
Into Recording
During
her teenage days, Vilma also ventured into singing to compete with her
golden-voice-endowed rival, Nora Aunor. She sang in a host of drama-musical
flicks which paired her with the hottest male actors of the time, notably her
perennial love-team partner, Edgar Mortiz. While her singing didn’t actually
make her a real singer, her recording stint earned for her two “Golden Record”
awards and produced her now classic signature song “Sixteen.”
TV Queen
Vilma’s
far-reaching influence was not limited to the movies. She also conquered the
boob tube. In the ‘70s, she danced and sang on the variety show The Sensations and starred on the soap
opera Dalambuhay ni Rosa Vilma. The
peak of Vilma’s presence on Philippine TV was in the ‘80s and the ‘90s, during
which she did some some dramatic performances and staged her highly successful
musical variety show, Vilma!, where
she wowed the audience with her breathtaking and death-defying dance routines. Vilma! went on to become the most
awarded musical variety show in local TV history. During her show’s run and its
eventual end in 1995, she was considered the queen of GMA 7, her home studio,
where she also produced and starred in memorable drama series such as Lamat
Sa Kristal and Once There Was a Love.
Vilma may
not be as visible and active on TV in recent times, due to her focus on her
political career, but the public still look forward to her rare TV appearances.
Her portrayal of the mother of a cerebral-palsy kid on MMK’s “Regalo,” a two-part episode, is one of the best remembered
dramatic performances on TV.
Semi-Retirement,
Family Life and Political Career
Vilma semi-retired in the mid-'90s, at a time when
she was still very popular, to focus on her family life. She then gave birth to
her second child, Ryan Christian Recto. In 1998, she entered politics and has
since been a very successful and well-respected public servant. She has put her
showbiz career on the back burner but still makes time for an occasional movie
every two or three years.
Her dedication and good leadership as a public
servant have earned Vilma dozens of awards, foremost of which are the
“Outstanding City Mayor” Award that the Civil Service Commission conferred to
her and the recent “Presidential Lingkod Bayan” award that she received from
President Noynoy Aquino. She has just secured her third term as governor of
Batangas, after having served three terms as mayor of Lipa City.
For her exemplary achievements in showbiz and in
politics, Vilma is probably the most successful actor-politician in Philippine
history.
Major
Product Endorser
Amid the
rise of new superstars and bankable celebrities, Vilma has managed to maintain
her popularity and thus become one of the most trusted product endorsers in the
country. No other 50-year-old-and-above veteran stars can match Vilma’s
enduring mass appeal, an attribute that makes her visible still, as a product
endorser, in different media. As Kris has once remarked, “I really feel na she
has preserved her celebrity and we continue to respect her....”
Woman for
All Seasons
Vilma’s enduring popularity and good reputation
have made her one of the most idolized personages in the country. She is always
included in “the most powerful,” “the most trusted,” and “the most influential”
lists. In 2007, People Asia Magazine cited her as one of its People of the Year
and Women of Style and Substance.
The different facets of Vilma as a woman, mother,
wife, public servant, actress, celebrity, and role model are the reasons that
make her still a very relevant fixture in Philippine society, the same reasons
that continue to endear her to her loyal followers and new admirers. She is one
person the Philippine film industry should be proud of.
Still the
Reigning Queen
Arguably, Vilma -- despite limited time for showbiz
-- is still its one and only queen, at this age where local movies are in
decline. Not only her outstanding contribution to the movie industry supports
this statement, but the love and the respect that the industry people and the
public have for her point to the fact that no Filipino actress has endured and
sustained a loyal following than Vilma Santos. No star shines brighter than
her. Only FPJ (RIP) and, perhaps, Dolphy (RIP) enjoy the same stature.
As
Vilma celebrates her 50th anniversary in showbiz, still the reigning Queen, the
people and her legion of fans are looking forward to more years of brilliant
screen performances.
- R.R.I. ESPINOZA
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